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Probably most famous, however, is Pygmalion, one of the earliest conceptualizations of constructions similar to gynoids in literary history, from Ovid's account of Pygmalion.
In this myth a female statue is sculpted that is so beautiful that the creator falls in love with it, and after praying to Venus, the goddess takes pity on him and converts the statue into a real woman, Galatea, with whom Pygmalion has children.
Among the few non-eroticized fictional gynoids include Rosie the Robot Maid from The Jetsons.
However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.
This has continued with modern fiction, particularly in the genre of science fiction.
While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.
In The Stepford Wives, husbands are shown as desiring to restrict the independence of their wives, and obedient and stereotypical spouses are preferred.
As more realistic humanoid robot design is technologically possible, they are also emerging in real-life robot design. Robotess is the oldest female-specific term, originating in 1921 from the same source as the term robot.
A gynoid is anything that resembles or pertains to the female human form.
“Sweetheart”, shown with its creator, Clayton Bailey; the busty female robot (also a functional coffee maker) that created a controversy when it was displayed at the Lawrence Hall of Science at University of California, Berkeley Female robots as sexual devices have also appeared, with early constructions being crude.
The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".