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A third artistic idea came from art itself: flashes of Beckmann's immense knowledge of art history can be seen in his citations of other works.

Thus, his landscapes can be regarded as a kind of summation of his understanding of the world.

Working with incredible energy and productivity, Beckmann produced numerous major works in these few short years.

From today's perspective, Beckmann's independence is all the more impressive when seen in relation to the development of abstract art that was taking place in America at the same time.

More Beckmann & America edited by Jutta Schutt, Städel, Museum Frankfurt am Main, foreword by Max Hollein, texts by David Anfam, Karoline Feulner, Ursula Harter, Lynette Roth, Stefana Sabin, Jutta Schutt, Christiane Zeiller, graphic design by Andreas Platzgummer [hardcover.

280 pp., 261 ills.] The catalogue accompanying the Max Beckmann exhibition at the Städel Museum(Hatje Cantz) Max Beckmann (1884-1950) moved to the United States in the late summer of 1947.

In September 2011 the Stedelijk Museum Schiedam is staging an international exhibition about nul, the first to be held in the Netherlands for half a century.

In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam?

To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i?

The text is complemented by an extended collection of figures and plates, providing a detailed graphic and photographic documentation and reconstruction.

This is an important contribution to the study of roman theatres and architectural decoration in Asia Minor.

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